MINDFUL PLEASURES

A literary blog by Brian A. Oard

Thursday, June 4, 2009

THE NOTEBOOKS OF MALTE LAURIDS BRIGGE by Rainer Maria Rilke

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The Gothic elements of Rilke's Notebooks of Malte Laurids Brigge surprise and delight me. I didn't expect the poet of the Duino ...
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Wednesday, June 3, 2009

A THOUGHT ON NARRATIVE AND MEMORY

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Successful trash can be more memorable than unsuccessful art. I read Virginia Woolf's The Waves a little over a year ago and remember n...

LITTLE CHILDREN by Tom Perrotta

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Little Children isn't a bad book, but there's nothing terribly original here. It's a work of literary genre fiction, a 'nov...

A DERRIDA DRIVE-BY

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The banal core of Jacques Derrida's philosophy can be represented by a STOP AHEAD sign: a sign referring to another sign that orders the...
Sunday, May 24, 2009

SEEING LOLITA THROUGH DOSTOYEVSKY

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One hidden precursor of Nabokov's Lolita is the 'suppressed' chapter of the Dostoyevsky novel translated variously as The Poss...

"BENITO CERENO" by Herman Melville

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Melville's "Benito Cereno ," which I've finally gotten around to reading, is a brilliant, weird, original story, an unexpe...

A FEW RAMBLING THOUGHTS ABOUT DEPRESSION, ROMANTICISM, AND DAVID FOSTER WALLACE

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It's difficult to romanticize or sentimentalize depression once you've seen its banality up close. For this kind of madness is indee...

A COUPLE THOUGHTS ON E.L. DOCTOROW

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"Fiction is essentially a means of deconstructing the aggregate fictions of a society."--E.L. Doctorow (sounding like Herbert Marc...
Wednesday, May 20, 2009

THE ROAD by Cormac McCarthy

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Ol ' Cormac's Pulitzer- and Oprah-winning The Road is a good literary horror novel with some brilliantly written passages (as one ...
Sunday, May 17, 2009

DIARY OF A BAD YEAR by J. M. Coetzee

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Coetzee's Diary of a Bad Year is very impressive, better than Elizabeth Costello and maybe as good as Disgrace . Coetzee has invente...

A HISTORY OF BRITAIN by Simon Schama

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I'm plowing through Simon Schama's 3-volume A History of Britain and finding it a highly readable, entertaining and informative wo...
Thursday, April 23, 2009

On BLOOM (2004), a film adapted from James Joyce's ULYSSES, directed by Sean Walsh

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Like Joseph Strick's 1967 attempt to adapt Ulysses , Sean Walsh's Bloom is not a bad film. It's even a bit better than that fa...
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"THE OVAL PORTRAIT" by Edgar Allan Poe

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I'm dipping deep into the well of American literature for the Euro-American Gothic of Edgar Allan Poe and finding Poe considerably more ...
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THE ROYAL TENENBAUMS AND JOHN IRVING

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Watching Wes Anderson's The Royal Tenenbaums again, I think I put my finger on the exact comic tone of the movie: it's that combina...
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A FEW LAST THOUGHTS ON DAVID FOSTER WALLACE AND POSTMODERNISM AND, LIKE, ALL THAT STUFF

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Anyone who reads Infinite Jest seeking clues to David Foster Wallace's self-murder will be rewarded on pages 695-7 (in the Back Bay Boo...
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Tuesday, April 21, 2009

THE DEATH OF AN ORIGINAL: J.G. BALLARD (1930-2009)

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British writer J.G. Ballard died Sunday at age 78. The Guardian obituary and links to related articles are here . This is sad news, but as ...
Wednesday, April 15, 2009

THE LOVELY BONES by Alice Sebold

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Alice Sebold's novel of transcendental kitsch, The Lovely Bones , teases and manipulates the reader with horror and death but never rea...
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EDWARD II by Christopher Marlowe

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While Marlowe's Edward II is not a great work, it is notable for its matter-of-fact handling of the king's sexuality. As with the l...

DISPATCHES by Michael Herr

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Reading yet again the "Breathing In" section of Michael Herr's Dispatches and trying once more to understand exactly why it w...

THE SAVAGE DETECTIVES by Roberto Bolano

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Bolano's Savage Detectives impresses me considerably less than it did the overly effusive James Wood, who praised (?) it as "amaz...
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HOW FICTION WORKS by James Wood (not the creepy right-wing actor; that's James Woods)

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James Wood's How Fiction Works , while clearly mistitled (it should be called How James Wood Thinks Fiction Works or maybe How Claire...

SEBALD, SALO AND SATIRE

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At one point in W.G. Sebald's Vertigo the unnamed narrator, traveling by bus through northern Italy, sees a pair of twin boys who rese...

THE DECAMERON by Giovanni Boccaccio

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I'm wandering around inside The Decameron , skipping my way through Boccaccio's world and finding the stories surprisingly good. Rea...
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Tuesday, April 14, 2009

SABBATH'S THEATER by Philip Roth

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Within the order of capitalism, the greatest transgression, the most subversive obscenity, is voluntary failure. To be a Bartleby who lives ...
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Monday, April 13, 2009

PASSING GASS: A RANT FOR AMERICA

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"Our culture...desires men who will be willing to be mowed down in anonymous rows if need be, used up in families in farms and factorie...

A FEW RULES FOR READING

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Here are a few ironclad rules for reading: Trust the tale, not the teller. (Closely paraphrased from D.H. Lawrence's Studies in Classic ...
Sunday, March 29, 2009

THE LIME TWIG by John Hawkes

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John Hawkes's The Lime Twig is a beautifully written, imagistically rich, highly elliptical novella that has certain atmospheric simila...

IRIS MURDOCH AS I KNEW HER by A. N. Wilson

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One of the more amusing British literary dust-ups of recent years began when A.N. Wilson was duped into including in his book on John Betjem...
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COSMOS by Witold Gombrowicz

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Gombrowicz's Cosmos is a mercifully short novel that works very well until about the halfway point. When the characters go to the mount...

SELECTED STORIES by Saadat Hasan Manto

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The stories of Saadat Hasan Manto, which I've been wanting to read ever since reading Salman Rushdie's description of "Toba Tek...

THE TIME OF THE HERO by Mario Vargas Llosa

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Vargas Llosa's first novel The Time of the Hero (as the English publishers inexplicably translate the Spanish title La Ciudad et los Pe...
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BLACKWATER: THE RISE OF THE WORLD'S MOST POWERFUL MERCENARY ARMY by Jeremy Scahill

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(NOTE: The following was written in my notebook in early 2008. A few subsequent events, most importantly the election of Barack Obama, have ...
Saturday, March 28, 2009

KING LEAR by William Shakespeare

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There are a few scenes in King Lear that move me intensely: Lear on the heath, inquiring of the hovel offered as shelter from the storm, ...
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